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Kim Okno, Gunshots, Heartbeats

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Chapter 1. The Brochure and the Weight of Silence

The heat in Carson City that May was the kind that didn't just sit on your skin but pressed into your lungs, thick with dry grass and the dust that blew in from the desert hills beyond the suburbs. Mrs. Martle's classroom was a cinderblock box painted the color of old butter, the windows pushed open as far as they would go, which wasn't far enough to catch anything but more of the same warm air. The fluorescent lights buzzed overhead with that particular frequency that made your teeth ache if you listened too long, and the desks were arranged in neat rows, their wooden surfaces scarred with years of graffiti—initials carved deep, hearts with arrows through them, the ghost of chewing gum pressed underneath. The floor was worn linoleum, buffed to a dull shine that still caught the light in patches, and the air smelled like floor wax and sweat and the faint metallic tang of deodorant that had stopped working hours ago.

I was watching Danny. I was always watching Danny. He sat three rows over, his dark spiky hair catching the light from the window in a way that made it look almost blue, and his olive-green polo shirt fit across his shoulders in a way that made me lose track of whatever Mrs. Martle was saying. He was half Vietnamese, half American, and his skin had that permanent tan that made him look like he'd just come back from somewhere exotic, somewhere I'd never been and probably never would go. He was reading from Lord of the Flies, his voice calm and confident, like he'd been born knowing how to command a room. I watched the way his mouth formed the words, the slight quirk at the corner when he hit a line he found particularly absurd, and I felt something warm and terrible spread through my chest.

"Daniel," Mrs. Martle interrupted, her voice flat with the particular exhaustion of a teacher who had given up on enthusiasm somewhere around March. "That's a summary. I asked for an analysis of tropes. What is Golding saying about human nature, not what the boys are doing."

Danny sat back down, not looking the least bit chastened, and as he settled into his chair he caught my eye and winked. Just a quick flicker of that dark gaze, a conspiratorial tilt of his head, and my face went hot. I looked down at my desk, at the initials some former student had carved into the wood—M.S. + T.R.—and pretended to study them with immense concentration. My hands were clammy. I wiped them on my jeans.

After class, the hallway was a river of bodies, lockers slamming with a percussive rhythm that echoed off the tile floors, voices bouncing and overlapping into a constant hum that was somehow both deafening and completely meaningless. I was trying to navigate toward the exit when I spotted Danny hunched over Mrs. Martle's desk, his shoulders curved with the kind of focused energy I'd come to recognize as the prelude to something ridiculous. I pushed through the crowd, my shoulder bumping against a senior who muttered something unkind, and when I reached him he was holding a brochure like it was a winning lottery ticket.

"Look at this." He shoved it into my face, and I had to lean back to focus. The cover was glossy, a photograph of pine forests so green they looked like they'd been painted, a lake so blue it seemed impossible. Oregon Outdoor Adventure, the title read in bold orange letters. "Scavenger hunts. Bonfires. Stargazing. Music classes. Noah. Music classes."

I took the brochure, more to buy time than anything else, and let my eyes trace over the pictures. The lake was the kind of blue that made you feel like you were looking at something that didn't belong on earth, and the cabins in the background were built from dark timber with stone fireplaces. The air in the photograph looked clean in a way that Carson City's air never did.

"I'm going," Danny said, and his voice had that edge of certainty that meant he'd already decided and was simply waiting for the rest of the world to catch up. "I'm going, and you're going, and we're going to convince our parents because this is the most important thing that's happened in our entire lives, Noah. This is—" He gestured vaguely, his hands moving through the air like he was trying to catch the right words. "This is everything."

I handed the brochure back, and our fingers brushed. The contact was brief, just the barest graze of skin, and my heart stumbled in my chest like it had forgotten how to beat in a steady rhythm. I pulled my hand back and shoved it into my pocket, and I could feel the heat creeping up my neck again.

"It's a week," I said, and my voice came out flatter than I intended. "We'll be gone for a week."

"Exactly." Danny grinned, and it was the kind of grin that made me forget how to form complete sentences. "A week of not being here. A week of trees and lakes and no Mrs. Martle. What's not to love?"

I walked home that afternoon with the brochure tucked under my arm like a promise I wasn't sure I was allowed to keep. The heat radiated off the asphalt in waves, and the air was thick with the smell of dry grass and the distant exhaust from the highway. My house was a two-story Colonial with white siding and a front porch with rocking chairs that my mother had bought but never sat in, and the lawn was always immaculate, watered twice a week with a sprinkler system my father insisted was a necessary investment.

Inside, the living room was formal in a way that made me feel like I was visiting someone else's home. Dark wood furniture polished to a shine, a fireplace with a clean hearth, bookshelves filled with law books and political biographies that my father had read and annotated and read again. He was sitting in his armchair, the evening paper spread across his lap, and when I paused in the corridor he looked up over his reading glasses.

"Noah." It wasn't a question. He always knew when I wanted something. "What's in your hand?"

I walked into the living room and held out the brochure. He took it, studied the cover for a long moment, and then flipped through the pages with the methodical attention he brought to everything. I stood there, my hands at my sides, and I could feel my pulse in my throat.

"Oregon," he said, and there was a hint of amusement in his voice. "Danny's idea?"

"His idea," I admitted. "But I want to go."

He looked up at me, and there was something in his expression that I couldn't quite read—pride, maybe, or just the recognition of something he'd seen before. "Our friends often have to encourage us to try things we wouldn't on our own," he said. "It's a good thing. It's a great idea. Of course you can go."

I rushed up the stairs before he could change his mind, my feet heavy on the carpet, and when I reached my room I shut the door and leaned against it and let myself breathe. My room was small, the walls covered in posters for bands I'd discovered and forgotten, a bed with a navy comforter that was rumpled and unmade, and my bass guitar leaning against the desk like it was waiting for me to remember it existed. I pulled out my phone and typed out the news to Danny, and his response came back in seconds, a string of exclamation points that made me smile despite myself.

Weeks later, we boarded the bus. The interior smelled like diesel and stale air, that particular scent of a vehicle that had been driven too many miles and never properly aired out. The seats were upholstered in a faded blue fabric that had been scrubbed so many times it had gone stiff, and the windows were streaked with grime that blurred the view of the Nevada desert into a smear of brown and ochre. The engine vibrated through the floor, a constant hum I could feel in my bones, and the air conditioning was weak, barely a whisper of cool air that did nothing to cut the heat.

Danny fell asleep on my shoulder somewhere around the second hour. His head was heavy, his breath warm through the fabric of my shirt, and I didn't move. I didn't dare move. The radio played "Pumped Up Kicks" eight times—I counted, because I needed something to focus on other than the weight of his head and the way his hair smelled like shampoo and something else I couldn't name. The desert blurred past, brown hills and dry riverbeds and the occasional gas station that looked like it had been abandoned years ago, and I watched it all through the grimy glass and thought about nothing. I thought about everything.

The camp was nestled in Oregon's pine forests, and when we stepped off the bus I felt like I was breathing for the first time in months. The air smelled like earth and rain and something sharp and green that I couldn't identify, and the main lodge was built from massive timber beams that looked like they'd been there for centuries. The lake was so clear it reflected the sky like a mirror, and the cabins were arranged in a semicircle around a central fire pit that was already stacked with logs.

We were assigned a cabin with a third camper, a kid from California who talked too much and snored too loudly, and I was disappointed in a way I didn't want to examine. Danny didn't seem to mind. He was already exploring, already planning, his energy bouncing off the walls in a way that made the California kid look exhausted by comparison.

The days blurred together in the way that good days always do. Swimming in the lake, the cold water a shock against my skin. Hiking through the forest, the ground soft with pine needles, the trees towering overhead so tall they seemed to scrape the sky. Watching the sunset from a rocky outcropping, the sky bleeding orange and pink and violet, and Danny sitting so close our shoulders touched.

During a treasure hunt, Danny ran ahead of me, his legs eating up the trail with the kind of athletic ease I'd never quite managed to develop. I struggled to keep up, my lungs burning, and when I finally caught him he was grinning like he'd been waiting for me the whole time.

"You're slow," he said, and his voice was light, teasing.

"I'm not slow," I said. "You're just—" I gestured vaguely. "You."

He laughed, and the sound of it made something in my chest unknot. We bantered back and forth, the kind of aimless conversation that felt more important than it was, and when we stopped for a break by a fallen log I pulled out my bass—I'd brought it, of course, because I couldn't imagine a week without it—and played a few chords.

Danny's voice dropped, quiet and sincere in a way that made me stop playing. "It's one of the things I enjoy the most," he said. "Hearing you play."

I didn't know what to say to that, so I said nothing. I let the silence stretch, let the forest settle around us, and then the gunshots cracked through the quiet.

A deer bolted across the trail, its legs a blur of motion, and before I could process what was happening a bullet splintered the tree next to my head. I hit the ground, my face in the pine needles, and I could hear shouting from somewhere up ahead—hunters, apologizing, their voices frantic with the realization of what they'd almost done. Danny was furious, his voice sharp in a way I'd never heard before, and when he pulled me to my feet his hands were shaking.

"Are you okay?" he asked, and his eyes were searching my face like he was looking for something he'd almost lost. "Noah. Are you okay?"

I nodded. I couldn't speak.

That night, by the campfire, the flames danced and crackled and sent sparks spiraling up into a sky so full of stars it seemed like the universe was trying to make up for something. The smoke rose in a gray column, carrying the sharp smell of burning pine, and the heat was intense against my face while the cold pressed in from behind. Danny sat across from me, his face illuminated by the firelight, and I knew with a certainty that felt like being punched that I was in love with him.

"After camp ends," I said, and my voice was steadier than I expected, "I have something important to say."

Danny looked at me, and there was something in his expression that I couldn't read. "Important," he repeated. "Like what?"

"Like I'll tell you after camp ends." I held his gaze. "I almost died today. Life is short. I need to say it."

He hated waiting—I knew he hated waiting—but he nodded. "Fine," he said. "But you're telling me the minute we get back. I'm holding you to that."

The fire popped. The stars were so bright they felt like they were pressing down on us. I watched Danny's face in the firelight and let myself imagine a future where I actually said the words, and the imagining was almost enough.

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