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Tina Isabel Leung, Something We Couldn't Name

I arrived early to Room 24 that first morning, my sneakers squeaking against the linoleum in a way that made me wince. The classroom stretched empty before me—desks scarred with years of bored carvings, a whiteboard cracked at the corner still bearing ghost stains of last semester's lessons. Dragon silhouettes had been etched into the gray laminate of the desk nearest the back corner, intricate and obsessive, and I chose that spot without thinking, sliding into the plastic chair as pale Danish sunlight filtered through the high windows. The radiator beneath the sill knocked and hissed, filling the room with the metallic scent of old heat, and I set my notebook down, fingers still stained with cadmium yellow from this morning's failed attempt to capture the color of Grethe's kitchen.

The door opened behind me, and I didn't turn immediately. Footsteps crossed the room with purpose—a teacher's gait, confident in claiming the space. I heard the soft thud of a messenger bag hitting the desk, the squeak of a marker being uncapped. Only then did I glance up, and the world narrowed to the man standing at the whiteboard.

He was younger than I'd expected—mid-twenties, maybe, with the kind of rumpled elegance that came from caring about appearance but lacking the time or money to fully execute it. His button-down shirt had been ironed at some point this week, though not recently, and his dark jeans fit well enough that I noticed before feeling ashamed for noticing. He had one hand braced against the whiteboard, thumb running over a particularly stubborn ghost stain, as if he could erase the shadow of whoever had taught here before him. His hair fell across his forehead in a way that made me think of poets, though that was probably ridiculous. I didn't know any poets.

When he began writing the day's lesson—something about European Union trade policies, the marker squeaking protest with each letter—I found myself studying the movement of his shoulders beneath the cotton shirt, the way his wrist turned to form the capital letters. This was Vester, then. My English teacher. The one Malthe had mentioned in passing, the one with the band and the cramped apartment and the perpetual look of someone barely keeping their head above water.

I pulled my gaze down to my notebook, tracing the edge of a blank page with my index finger, the paint beneath my nail catching the light. The dragon etchings on the desk were surprisingly detailed—scales rendered in patient scratches, wings that must have taken weeks to complete. I touched the loose corner of laminate, pressing until it clicked faintly, then releasing. A nervous habit, something to do with my hands.

"Right," Vester said, capping the marker and turning to face the empty room. His eyes found me immediately, widened slightly, as if he'd forgotten I'd be there. "You must be the exchange student. Eksteen?"

"Yes," I said, and my voice came out steadier than I felt. "From Rotterdam."

"Rotterdam." He repeated the word like he was tasting it, and something in his expression shifted—interest, maybe, or just the automatic engagement of a teacher finding a hook for connection. He moved to the front of the desk, leaning back against it with his hands braced on either side. "I've never been. What's it like?"

I could have given him the tourist answer—the architecture, the Erasmus Bridge, the way the port stretched endlessly. Instead, I said, "Gray. Wet. The kind of city where you learn to find beauty in small things, or you go mad."

His mouth quirked at that, almost a smile, and he ducked his head as if catching himself. "Sounds familiar," he murmured, and the comment felt like something not quite meant for me, though he'd spoken it aloud.

The other students began filtering in then, breaking the strange bubble that had formed around us. Sofie arrived with her journal clutched to her chest, auburn hair escaping its braid. Rune followed, his Polaroid camera hanging from his neck like a talisman. Malthe burst through the door with his usual chaos, shaggy blond hair falling into his eyes, and grinned when he spotted me. I managed a smile back, though my attention kept sliding toward the front of the room, where Vester had straightened and was shuffling through papers.

The lecture began. European Union. Trade. Something about agricultural subsidies. I took notes, my handwriting cramped and slanted, but I wasn't really listening. Instead, I watched the way Vester's hands moved when he explained a point, the gestures economical and precise. He had musician's hands—I noticed that—long fingers that drummed absently against the desk when he paused, as if keeping time to something only he could hear.

Halfway through, while explaining Denmark's role in the single market, his gaze drifted to my desk. I'd been tracing the dragon's wing with my finger, following the grooves worn smooth by years of restless hands. The loose laminate corner had become my focus, pressing and releasing, a rhythm to match my thoughts.

Vester's voice faltered mid-sentence. "The—uh—the agricultural sector, in particular—" He stopped, cleared his throat, picked up the thread. "In particular, it benefits from..."

But the damage was done. I'd felt the weight of his attention, the way his words had stumbled when he saw my hands. When I glanced up, he was already looking away, color rising in his cheeks that he couldn't quite hide. My heart kicked against my ribs, sudden and hard.

The rest of the lecture passed in a blur. I heard words without processing them, wrote notes that would make no sense later. All I could think about was that falter, that fraction of a second when his composure had slipped.

When the bell rang, the other students shuffled out with the usual scraping of chairs and rustle of papers. I packed my things slowly, sliding my notebook into my bag with deliberate care, adjusting the strap of the South African necklace my father had given me until the beads settled evenly against my collarbone. When I finally stood, only two of us remained in the room.

Vester had moved to the radiator beneath the window, one hand resting on the warm metal as he gazed out at the courtyard below. The posture looked casual, but there was tension in his shoulders, a stiffness that suggested he was intensely aware of my presence even with his back turned.

I should have left. Should have walked out, let the moment pass. Instead, I drifted toward the front of the room, ostensibly to check the assignment board mounted near the door.

"Dutch students are more diligent than Danish ones, I'm told," Vester said without turning, his voice carefully neutral. "Always early to class. Taking excellent notes."

The comment hung in the air, and I recognized it for what it was—an attempt at normalcy, a teacher making conversation with a student. Something safe. Something that didn't acknowledge the static crackling between us.

"Or," I said, surprising myself with the steadiness of my tone, "maybe Danish teachers just have a habit of hovering near radiators when they're trying not to look at something."

He turned then, and the expression on his face was so transparent I almost laughed—shock warring with amusement, a flush spreading up his neck. "I'm not—" he started, then stopped, ran a hand through his hair in a gesture that made it stand up slightly at the crown. "I wasn't hovering."

"No?" I tilted my head, studying him with the same attention I'd give a painting I was trying to understand. "What would you call it?"

"Efficient use of residual heating," he said, and the corner of his mouth twitched despite his clear effort to maintain composure. "It's freezing in this building, and the administration refuses to turn the heat up before November."

"It's September," I pointed out.

"Exactly."

We stood there, ten feet of scuffed linoleum between us, and something unspoken passed back and forth—an acknowledgment, perhaps, or a question neither of us knew how to ask. The light through the window cast his face in sharp relief, highlighting the shadows beneath his eyes, the way his jaw tensed and released.

"I should go," I said finally, though I didn't move.

"Yes," he agreed, though he didn't look away.

When I finally did leave, walking down the corridor with its institutional green paint and flickering fluorescent lights, my hands were shaking. I shoved them into my jacket pockets, feeling the woven bracelet shift against my wrist, and tried to breathe normally. Behind me, I heard no footsteps, no movement. Vester was still in that classroom, I knew with strange certainty, still standing by that radiator.

The certainty followed me all the way out of the building.

Later—hours later, after I'd sat through two more classes I couldn't focus on, after I'd nodded through Malthe's enthusiastic explanation of the best cycling routes in Copenhagen, after I'd helped Grethe set the table for dinner and pretended to care about the cat's digestive issues—I lay on my narrow bed beneath the sloping ceiling of my room and stared at the exposed beams.

The room smelled of linseed oil and the faint musk of old wood. My paintbrush set lay scattered across the desk, several brushes missing their caps thanks to the host family's cat, who viewed them as personal chew toys. Through the small window, I could see the edge of Grethe's garden, wildflowers bending in the evening breeze, and beyond that the rooftops of neighboring houses, their red tiles glowing in the last of the daylight.

I touched my hand—the right one, the one that had been so close to Vester's when I'd gathered my notebook. We hadn't actually made contact; I was sure of that. But the space between us had felt charged, electric, as if the air itself had thinned. I could still feel the phantom warmth of proximity, the way my skin had prickled with awareness.

This was ridiculous. Dangerous. He was my teacher. Twenty-one, maybe twenty-two—older, but not so much older that the gap felt insurmountable. Still. The word "teacher" should have been enough to stop this feeling in its tracks, to remind me of boundaries and ethics and all the reasons this particular warmth spreading through my chest was a terrible idea.

But when I closed my eyes, I saw the way his voice had faltered. The way color had risen in his cheeks. The way he'd looked at me by the radiator, as if he were trying to solve a problem that had no good answer.

I ran my thumb against my index finger repeatedly, the nervous gesture I'd had since childhood, feeling the slight roughness where paint never quite washed away. The beaded necklace pressed against my collarbone, warm from my skin, and I thought of my father's stories about South Africa, about heritage and identity and finding yourself in unexpected places.

I hadn't expected to feel seen here. Not really. The exchange program had seemed like an escape—from my father's well-meaning distance, from the ghost of my mother that still haunted our Rotterdam apartment, from my own spiraling thoughts. I'd thought Copenhagen would be a place to observe, to paint, to exist on the periphery of other people's lives.

But Vester had looked at me, and something had shifted. Some recognition had passed between us that felt enormous and terrifying and impossible to ignore.

I rolled onto my side, pulling the thin duvet up to my chin, and tried to convince myself that tomorrow would be different. That this was just the strangeness of a first day, of new places and new faces, of jet lag and adjustment. That I hadn't just felt the ground shift beneath my feet.

The cat jumped onto the desk with a soft thud, knocking over my tin of pencils. I didn't get up to fix it. I just lay there in the gathering dark, touching the spot on my hand where Vester's warmth had almost been, and wondered what the hell I was going to do.


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